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Diffstat (limited to 'thesis/thesis.tex')
| -rw-r--r-- | thesis/thesis.tex | 11 |
1 files changed, 6 insertions, 5 deletions
diff --git a/thesis/thesis.tex b/thesis/thesis.tex index ea4414a..e5447bd 100644 --- a/thesis/thesis.tex +++ b/thesis/thesis.tex @@ -1,9 +1,8 @@ -\documentclass[12pt,a4paper,oneside,titlepage]{report} +\documentclass[12pt,a4paper,oneside,titlepage]{paper} \usepackage[english]{babel} \usepackage[utf8]{inputenc} \usepackage[T1]{fontenc} \usepackage{textcomp} % Sonderzeichen, z.B. € -%\usepackage{citep} \usepackage{listings} \lstdefinelanguage{Ini}{basicstyle=\ttfamily\tiny, columns=fullflexible, @@ -24,8 +23,9 @@ \usepackage{color} %\usepackage{bbding} \usepackage{hyperref} +\hypersetup{hidelinks, colorlinks = false} \usepackage[font=scriptsize]{caption} -\usepackage[numbers]{natbib} +\usepackage[authoryear]{natbib} \graphicspath{{../images//}} \renewcommand\thesection{\arabic{section}} \makeindex @@ -77,11 +77,11 @@ to turn it into a networking application for large scale WFS setups. \end{abstract} - \setcounter{tocdepth}{3} + \setcounter{tocdepth}{4} \tableofcontents \pagebreak - \section*{Introduction} + \section{Introduction} Wave Field Synthesis (WFS) describes a spatial technique for rendering audio. As such it aims at synthesizing a sound field of desired acoustic preference in a given listening area, assuming a planar reproduction to be @@ -254,6 +254,7 @@ \pagebreak \listoffigures + \pagebreak \listoftables \pagebreak \bibliographystyle{plainnat} |